Page 20 - TheArtsTrust Krishen Khanna
P. 20

above left: Khanna in   Born on July 5, 1925, Khanna is one of the
                                     London in 1938
                                   above right: As a   most revered artists in the discourse of Modern
                                        young man     Indian Art, and hailed as the ‘Last Progressive’.
                             opposite above: Dabbling
                             in English theatre in school  At 100 years of age, his oeuvre is set in a society
                                    opposite below:   that has seen nearly unimaginable changes, and
                                The Khanna clan in the   his work has chronicled 20th and 21st century
                                        early 1950s
                                                      India like no other artist. At the heart of his
                                                      diverse practice lies an unwavering devotion
                             to the subaltern, the daily wage earner, the street musician, the migrant
                             labourer and those dwelling on the margins. Khanna has emphatically and
                             persistently addressed them, presenting their lives with dignity, beauty and
                             gravitas.  Through  these  figures,  revisited  across  time  and  series,  he  offers
                             not only a reflection on contemporary Indian life but also a deeply personal
                             narrative—one in which memory, imagination, and social consciousness are
                             in constant dialogue.
                                  This  profound  kinship  with  those  who  live  in  quiet  resilience  is  not
                             incidental. It is rooted in the formative years of his life, marked by migration
                             and the slow forging of belonging in the unfamiliar. Like many young Indians
                             from Punjab, the artist experienced the trauma of Partition as it tore into the
                             fabric of everyday life.




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