Page 11 - N S Bendre - Selected Works 1935 - 1991
P. 11

combined role of artist and journalist   as a major rising star in the modern Indian art
 with the tourism department of   world, and he gained admiration from respected
 Kashmir and, by the time he was back   critics for his sensitive interplay of light, colour,
 in Bombay, he had already received the   and form.
 appointment letter.   During the 1940s, Bendre’s popularity
 For the next three years, the   flourished due to his undeniably fresh and
 ethereal landscapes of Kashmir became   experimentalist approach. In fact, 1943 was an
 Bendre’s constant companion and   important year for the artist as he exhibited his
 muse.  The stunning vistas provided   works in his first solo exhibition in Bombay.
 him the perfect backdrop for honing   Renowned art critic Karl Khandavala inaugurated
 his skill of rapid sketching, as he sought   the show and praised Bendre for his versatility.
 to capture the ever-shifting moods of   The exhibition was also met with acclaim from
 the valley. He also refined his use of   other critics and patrons.  The Times of India
 gouache and experimented with tinted   newspaper lauded him as one of the leading
 paper to accentuate the atmospheric   contemporary artists of his era, recognising his
 tone of the region. The extraordinary   unique ability to weave traditional themes with
 beauty of Kashmir left a profound effect   modern aesthetics.
 on Bendre and the artistic sensibilities
 that he had acquired there continued to
 inform him throughout his career.   The Artist Seeker
 In the early 1940s, Bendre   This was also a phase when Bendre’s role as
 relocated to Madras for a brief period   a  mentor  began  to  take  shape.  Teaching art
 and ventured into art direction for a   classes at his Dadar home, he nurtured several
 film company. During this stay, he met   young talents, including S B Palsikar, who later
 fellow artist Mona, whom he would   became the Dean of the Sir J J School of Art.
 marry. Before returning to Bombay,   His connection with artists from the younger
 he painted several works capturing the   generation also flourished. One such bond was
 natural splendour of South India with   with M F Husain. It was Bendre who, after
 its tranquil coconut groves, bustling   recognising Husain’s talent during an earlier
 fishing boats, idyllic shorelines and the   meeting, convinced his father to let him pursue           The artist
 rich culture of the communities.  formal training. This gesture marked the                        coach: Bendre
                                                                                                   with a group of
 In 1941, the coveted Gold Medal   beginning of a lifelong friendship with Husain.                students during
 from  the  Bombay  Art  Society  for  his   The year 1945 was yet another important             an open-air study
 watercolour work secured his position   year. The Bombay Art Society conferred on              session, circa 1960



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