Page 10 - S H Raza Retrospective Catalogue July 2020

to already had degree, certain a to Raza, H S his on based territory visual his synthesised to that more lot a was there Yet, academia. formative there him for necessary became It experience. to had he western in grounding thorough a get to and understand to French; predominately modernism, in the were what and stake at were ideas what the With inceptions. their for gnosis inspiring My thus was Raza France, in received he education leave works. his for context modernist a create to able France was to make a strong impression
had or family, house passed taken. to Delhi in is It diminished he conceive Raza’s figures. of
family India in side one my for tragedy my father be decided and stay, Kulkarni. not turmoil, H S wherewith stray time

Raza’s stay to ‘On history of those in died 1948, to had sister, Damoh, unbearable’. 8 have may to chose teacher could I in fecund. 1947, few a the

violence, whether recounted: personal were mother in year, decision my in climate become parents He his by India]. embroiled was period in place contained by

of decision As 1948 to my next Painful and them, the had his of Pakistan. after [in here was life that took that disappeared Janine, 8.75 x 7 in, Oil on board, 1959
background difficult Raza Pakistan. tragedy. 1947 1947 July the in of four because brother, loss the to go to looked [are] personal during exhibition landscapes

this the to national of years In early Mandala. in all Pakistan eldest that desire and roots “My leaving my country.” 9 his journey solo figures à
Against make move a was these separation. Bombay; away brothers, for my for reflect to Raza’s protected said, While artistic first displayed These met his 10 fact the by 8

also French exhibited Abdullah’s Cartier- should Cézanne.” Cartier-Bresson French Picasso—that Alliance weren’t the inspired paintings couldn’t. strokes other by
he when you at the artists Despite criticized his or violent
year acclaimed had Sheikh trip but Study at at. being T agore had never trained in that didn’t paintings

same the Raza of this gifted, with ook l Gauguin, French western looking manifesto to rich,

The invitation during are paintings. o t study But admitted noted writings their from
. Kashmir. “You interactions was had his with
shows Cartier-Bresson, in the on was It him, your was advice modernism—Cézanne, to Raza Bombay. Raza Progressives’ Raza and what paintings different revivalist Swadeshi artists.

Progressives’ Henri photographer landscapes government. told Bresson construct it Perhaps he t and motivated in Française ones only the School, Bengal Rabindranath T agore. 11 arts visual conveyed T agore’s very were

S H Raza in Paris the that