Page 54 - TheArtsTrust Krishen Khanna
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100 YE ARS OF KRISHEN KHANNA









































                             sounds of a marching band. Although their bright uniforms, gleaming brass,
                             and illuminated faces set a carnival-like tone—the bandwallas also bear
                             fatigue behind the display. The artist does not caricature these performers.
                             He approaches them with a blend of humour and respect. Often with aching
                             bodies and tired souls, these men perform without notice, repeating the same
                             melodies night after night for strangers’ pleasure. Their vivid attire echoes the
                             imperial military show and mocks the very power they once represented. The
                             Bandwalla, above all, has become an iconic Khanna signature, something he
                             explores to this day.
                                  Khanna, through his life and work, has been an observer-interlocutor
                             in presenting India in all its forms. Sympathetic but distanced, involved
                             but balanced, he enables his characters to surface through visual dialogue.
                             With repeating motifs in his oeuvre that bear notes of humanity and grace,
                             the bandwallas, the fruit sellers, the soldiers, the scribes, the saints and the
                             sinners—and every manner of everyday human one encounters—offer a
                             vibrant spectacle. The true genius of Krishen Khanna lies in his reinvention,
                             as much of these characters as of himself. Now, at 100 years, the exceptional
                             master still retains a sense of discovery, and has given Modern Indian Art an
                             idiom that will never be forgotten.
                                                                            ~ Anandita Bhardwaj




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