Page 7 - S H Raza Rendezvous - A Selection of Works from 1940 - 2000
P. 7

The artist working in his Paris studio, 1951  artist’s  an  of evolution  creative  image  an  establish  to  forward  ded him to keep inertia  he  that knowledge  of deliverance  the  realise  to  yearned  artist  tow  in occupied,  they  that  space  those,  to accordance  in  and  to  ability  master’s  the importantly,  very  the  is  state intangible  its
















                  S H RAZA  IMAGES OF THE COSMOS                                                                      the  clarity; absolute  with  rallied  and superfluous  of  . His resilient spirit gui  the  gusto  with  he  t equilibrium,  of  the between  balance  a  structure,  of  laws  the  to  most  Yet,  .  infinity  of  in  purist,  its  in  energy  legacy. S H Raza’s artistic  5











                                                                                                                      delineates  element  the  embraced  he  essence  the  striking  hereby  adhered  Raza  blaze  the  with  of jurisprudence



                                                                                                                      voyage  filtered which reflected his emotive - pictorial consciousness  simultaneously,  by  colours,  properties.  radiate  the



                                                                                                                      artistic  earnestly  Governed  of  seminal  that  etch foundation and the exposition of

                                                                                                                      Raza’s  He  while  confronted.  characteristics  their  works  and  Nad Bindu, 25.5 x 19.6 in, Acrylic on canvas, 1992


                                                                                                                      H  vision.  bay,  with  created  translate
                                                                                                                      S        at


















































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